ulysses' gaze (1995) Director: Theo Angelopoulos Running time: 3 hours Initial DVD release: February 13, 2001 Screenplay: Theo Angelopoulos, Petros Markaris, Tonino Guerra, Giorgio Silvagni Initial release: September 13, 1995 (France) Click Here To Download Link Size:1,599.6 Mb
A (Harvey Keitel) is a Greek filmmaker living in the United States
who returns to his native land. There he begins searching for the
legendary lost reels of footage shot by film pioneers the Manakia
brothers, who journeyed throughout the Balkans documenting its culture.
As A's search continues, he travels
to various places that stir memories from his youth. He fantasizes
about his mother (Maia Morgenstern) and the women from his films, unsure
of his own ability to see things clearly.
A Place in the Sun (1951) Director: George Stevens Adaptations: Avana Ivan (1962) Adapted from: An American Tragedy Story by: Theodore Dreiser, Patrick Kearney Initial release: August 15, 1951 (USA) Click Here To Download Link Size: 1,394.2 Mb In this classic version of Theodore Dreiser's novel "An American
Tragedy," George Eastman (Montgomery Clift), the nephew of a wealthy
industrialist, is excluded from high society and given a blue-collar job
at his uncle's factory. While ascending the ranks of the company,
George becomes romantically
involved with co-worker Alice Tripp (Shelley Winters). However, when he
is introduced to socialite Angela Vickers (Elizabeth Taylor), he
quickly falls for her, leading to a tragic love triangle.
Lolita (1962) Director: Stanley Kubrick Adapted from: Lolita Screenplay: Stanley Kubrick, Vladimir Nabokov, James B. Harris Awards: Golden Globe Award for Best New Star of the Year – Actress Initial release: June 12, 1962 (USA) Click Here To Download Link Size:855.1 MB With a screenplay penned by the author himself, Stanley Kubrick
brings Vladimir Nabokov's controversial tale of forbidden love to the
screen. Humbert Humbert (James Mason) is a European professor who
relocates to an American suburb, renting a room from lonely widow
Charlotte Haze (Shelley Winters). Humbert
marries Charlotte, but only to nurture his obsession with her comely
teenage daughter, Lolita (Sue Lyon). After Charlotte's sudden death,
Humbert has Lolita all to himself -- or does he?
Black Girl (1966) Director: Ousmane Sembène Running time: 1h 20m Screenplay: Ousmane Sembène Producer: André Zwoboda Initial release: January 1, 1965 (USA) Click Here To Download Link Size: 592.3 Mb
The first major work of Senegalese director Ousmane Sembene, this 1966
film is widely recognized as one of the founding works of African
cinema. Diouanne Therese N'Bissine Diop, a young Senegalese woman, is
employed as a governess for a French family in the city of Dakar. She
soon becomes disillusioned when the family travels to the Riviera, where
her comfortable duties as a nanny in a wealthy household are replaced
by the drudgery and indignities of a maid. In a series of escalating
confrontations with her mistress (Anne-Marie Jelinek), Diouanne is
painfully reminded of her racial identity. She is caught in the tension
between the French upper-class and post-colonial West Africa and finds
herself alienated from both worlds. Along with narration and dialogue in
French, this film also shares the sparse tone and visual style of
French cinema of its period. Nevertheless, the influence of Sembene's
European counterparts does not diminish this subtle but striking
examination of racial and cultural prejudice. ~ Jonathan E. Laxamana,
The Wild Child (1970) Director: François Truffaut Running time: 1h 25m Music director: Antonio Vivaldi Screenplay: François Truffaut, Jean Marc Gaspard Itard, Jean Gruault Initial release: February 26, 1970 (France) Click Here To Download Link Size: 700.0 Mb
A young boy (Jean-Pierre Cargol) is discovered in a forest, living
a feral existence among a pack of wolves. Captured by hunters, he is
sent to Paris and placed in a school for deaf-mute children. There he is
observed by Dr. Itard (François Truffaut) who concludes that the boy is
neither deaf nor intellectually
stunted, but has simply been deprived of normal, humanizing influences.
With no shortage of tenderness, patience and ambition, Itard devotes
himself to educating and civilizing the boy.
Boogie Nights (1997) Director: Paul Thomas Anderson Screenplay: Paul Thomas Anderson Music director: Michael Penn Country: United States of America Initial release: October 10, 1997 (USA) Click Here To Download Link Size: 699.5 Mb
In the San Fernando Valley in 1977, teenage busboy Eddie Adams
(Mark Wahlberg) gets discovered by porn director Jack Horner (Burt
Reynolds), who transforms him into adult-film sensation Dirk Diggler.
Brought into a supportive circle of friends, including fellow actors
Amber Waves (Julianne Moore), Rollergirl
(Heather Graham) and Reed Rothchild (John C. Reilly), Dirk fulfills all
his ambitions, but a toxic combination of drugs and egotism threatens
to take him back down.
the lord of the rings the fellowship of the ring (2001) Director: Peter Jackson Running time: 3h 48m Film series: The Lord of the Rings Adapted from: The Lord of the Rings, The Fellowship of the Ring Release date: March 15, 2002 (India) Click Here To Download Link Size:913.9 Mb The future of civilization rests in the fate of the One Ring,
which has been lost for centuries. Powerful forces are unrelenting in
their search for it. But fate has placed it in the hands of a young
Hobbit named Frodo Baggins (Elijah Wood), who inherits the Ring and
steps into legend. A daunting task lies ahead for Frodo when he becomes the Ringbearer - to destroy the One Ring in the fires of Mount Doom where it was forged.
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The Navigator (1924) Directors: Buster Keaton, Donald Crisp Running time: 1h 47m Music director: Claude Bolling, Robert A. Israel, William Axt Story by: Clyde Bruckman, Jean Havez, Joseph A. Mitchell Initial release: October 13, 1924 (USA) Click Here To Download Link Size: 695.4 Mb
In this revered silent comedy, the wealthy and impulsive Rollo
Treadway (Buster Keaton) decides to propose to his beautiful socialite
neighbor, Betsy O'Brien (Kathryn McGuire). Alhough Betsy turns Rollo
down, he still opts go on the cruise that he intended as their
honeymoon. When circumstances find
both Rollo and Betsy on the wrong ship, they end up having adventures
on the high seas, allowing Keaton plenty of opportunities to display his
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An American in Paris (1951) Director: Vincente Minnelli Running time: 1h 55m Producer: Arthur Freed Initial release: November 11, 1951 (USA) Click Here To Download Link 1,169.8 Mb
Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an
opportunistic American painter living in Paris' "starving artists"
colony. He is discovered by wealthy Milo Roberts (Nina Foch), who
becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays
hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron)
-- who, unbeknownst to him, is the object of the affections of his close
friend Henri (Georges Guetary), a popular nightclub performer. (The
film was supposed to make
Guetary into "the New Chevalier." It didn't.) The thinnish plot is held
together by the superlative production numbers and by the recycling of
several vintage George Gershwin tunes, including "I Got Rhythm," "'S
Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's
rendition of "Stairway to Paradise"; Oscar Levant's fantasy of
conducting and performing Gershwin's "Concerto in F" (Levant also
appears as every member of the orchestra); and the closing 17-minute
"American in Paris" ballet, in which Kelly and Caron dance before lavish
backgrounds based on the works of famed French artists.
Melancholia (2011) Director: Lars von Trier Running time: 2h 16m Film series: The Depression Trilogy Cinematography: Manuel Alberto Claro Initial release: May 26, 2011 (Denmark) Click Here To Download Link These scenes are isolated prologue. As time begins to run, we meet a newlywed couple being driven to their wedding party at a grand estate. It is a small gathering, only large enough to establish that few in this family can abide one another, and some may be mad. The bride is Justine (Kirsten Dunst). Her husband is Michael (Alexander Skarsgard). Her sister is Claire (Charlotte Gainsbourg). Their estranged parents are Gaby (Charlotte Rampling) and Dexter (John Hurt). The mansion is owned by the brother-in-law John (Kiefer Sutherland). Joining the party is Jack (Stellan Skarsgard), Justine's boss, who owns an ad agency and is attending primarily to wrest an advertising tagline from her. The wedding planner is played by the ominous Udo Kier, who you will agree is correctly cast to run a wedding at the end of the world.
Not much of an attempt is made to fashion these people into a plot anything like a wedding party you've seen in a movie before. Even when the bride steals out of her husband's bed to have rough sex in the sand trap of a golf course, there is no sense of intrigue, just a desperate acting out. Every moment is saturated with the common knowledge that Earth is about to collide with an enormous planet named Melancholia. I'm not sure if the planet has been officially named, or if the name simply attached itself. One thinks of Robert Burton's book The Anatomy of Melancholy, published in 1621, which marshaled all the arts and sciences known to him into a study of what we could call clinical depression.
The new planet is first seen by Justine as they pause on their way to the party. It is the brightest of the evening stars. During an undefined period of days it will grow larger and larger, until it fills the sky. Curiously, the characters do not spend all of their time talking about it, and we pick up little information about when it was first seen. Von Trier limits himself entirely to the meandering conversations at the house party. He avoids all the usual sci-fi cliches; there are no TV news updates, no Cabinet meetings, no nuclear rockets fired at it, no surging mobs in the streets. It looms larger. It "appeared from behind the sun."
If I were choosing a director to make a film about the end of the world, von Trier the gloomy Dane might be my first choice. The only other name that comes to mind is Werner Herzog's. Both understand that at such a time silly little romantic subplots take on a vast irrelevance. Doctor Johnson told Boswell: "Depend upon it, sir, when a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully." In the cast of von Trier's characters, impending doom seems to have created a mental state of dazed detachment. They continue to act as if their personal concerns have the slightest relevance. Von Trier has never made a more realistic domestic drama, depicting a family that is dysfunctional not in crazy ways but in ways showing a defiant streak of intelligent individualism.
The film is divided into two halves, titled "Justine" and "Claire." It appears that the two sisters exchange personalities, but to no great effect. Maybe the approach of an overwhelming event has dissolved the membranes of personalities. Notice how Jack, the ad man, continues to place importance on his ad slogan. And how Gaby lashes out at the very notion of a wedding or a party. There is displacement here that is frightening.
In any film involving the destruction of the globe, we know that, if it is not to be saved, there must be a "money shot" depicting the actual cataclysm. I doubt any could do better than von Trier does here. There are no tidal waves. No animals fleeing through burning forests. No skyscrapers falling. None of that easy stuff. No, there is simply a character standing on a hill and staring straight at the impending doom, as von Trier shows it happening in what logically must be slow motion, with a fearsome preliminary merging of planetary atmospheres.
Violent death is often a shabby business in the movies. It happens in depressing bedrooms, bloody bathtubs, shattered cars, bleak alleys. Its victims are cast down empty of life. Here is a character who says, I see it coming, I will face it, I will not turn away, I will observe it as long as my eyes and my mind still function. Is it fair of me to speculate that von Trier himself regards death in that way? He tends to be grandiose, but if one cannot be grandiose in imagining one's own death, then when is grandiosity justified?
The Miracle of Morgan's Creek (1944) Director: Preston Sturges Running time: 1h 39m Initial DVD release: September 6, 2005 Screenplay: Preston Sturges Initial release: January 5, 1944 Click Here To Download Link Size: 700.7 Mb
In this wacky Preston Sturges comedy, the soldier-smitten Trudy
Kockenlocker (Betty Hutton) discovers that she is both married and
pregnant after a raucous troop send-off party. While she has no idea who
her new husband is, her longtime admirer, Norval Jones (Eddie Bracken),
seizes the opportunity to
help. When Trudy's cop father (William Demarest) catches wind of the
situation, however, wacky misunderstandings follow, with the
well-meaning Norval on the wrong side of the law.
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Saturday Night and Sunday Morning (1960) Director: Karel Reisz Running time: 1h 30m Adapted from: Saturday Night and Sunday Morning Screenplay: Alan Sillitoe Initial release: November 1960 Click Here To Download Link
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In a Nottingham factory, Arthur Seaton (Albert Finney) works in a
mindless haze, but his weekends are even more muddled due to his love
affairs and his alcohol problem. One of the women Arthur is involved
with, Brenda (Rachel Roberts), is married to his coworker, but pregnant
with Arthur's child. Meanwhile,
Arthur is also pursuing Doreen (Shirley Anne Field). Soon enough, he is
found out by Brenda, who wants money or an abortion, and Arthur finds
himself at a crossroads.
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After Life (1998) Director: Hirokazu Koreeda Running time: 1h 58m Screenplay: Hirokazu Koreeda Music director: Yasuhiro Kasamatsu Initial release: April 17, 1999 (Japan) Click Here To Download Link
Size
1,283.9 Mb
In this acclaimed Japanese film, a group of people who have
recently died find themselves in a limbo realm resembling a relatively
mundane building. Counselors, including Takashi (Arata) and Shiori
(Erika Oda), are on hand to help new arrivals pick one memory from their
lives to bring with them into
eternity. Once the memories are chosen, the staff makes a short film
representing each one, and the films make up a collage of thoughtful
cinematic moments.
The Right Stuff (1983) Director: Philip Kaufman Screenplay: Philip Kaufman Narrated by: Levon Helm Adapted from: The Right Stuff Initial release: October 21, 1983 Click Here To Download Link Size 820.51 MB
This adaptation of the non-fiction novel by Tom Wolfe chronicles
the first 15 years of America's space program. By focusing on the lives
of the Mercury astronauts, including John Glenn (Ed Harris) and Alan
Shepard (Scott Glenn), the film recounts the dangers and frustrations
experienced by those involved
with NASA's earliest achievements. It also depicts their family lives
and the personal crises they endured during an era of great political
turmoil and technological innovation.
Anatomy of a Murder (1959) Directors: Otto Preminger, Saul Bass Running time: 2h 41m Story by: John D. Voelker Screenplay: Wendell Mayes Initial release: July 1, 1959 (Detroit) Click Here To Download Link Size 698.92 MB
Semi-retired Michigan lawyer Paul Biegler (James Stewart) takes
the case of Army Lt. Manion (Ben Gazzara), who murdered a local
innkeeper after his wife (Lee Remick) claimed that he raped her. Over
the course of an extensive trial, Biegler parries with District Attorney
Lodwick (Brooks West) and out-of-town
prosecutor Claude Dancer (George C. Scott) to set his client free, but
his case rests on the victim's mysterious business partner (Kathryn
Grant), who's hiding a dark secret.
Faster, Pussycat! Kill! Kill! (1965) Director: Russ Meyer Running time: 1h 23m Screenplay: Jackie Moran Music director: Paul Sawtell, Bert Shefter Initial release: August 6, 1965 Click Here To Download Link
Size:706.51 MB
Russ Meyer's cult favorite follows sadistic go-go dancers Varla
(Tura Satana), Rosie (Haji) and Billie (Lori Williams) as they break
free from the nightclub where they perform and race out to the desert to
stir up a little mayhem. After karate expert Varla kills an innocent
man, the voluptuous trio takes
his girlfriend (Susan Bernard) hostage as they attempt to wheedle a
hidden fortune from a misogynistic old man (Paul Trinka) and his
muscle-bound, brain-damaged son (Dennis Busch).
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Scarface (1932) Directors: Howard Hawks, Richard Rosson Producers: Howard Hawks, Howard Hughes Screenplay: Howard Hawks, Ben Hecht, Armitage Trail, W. R. Burnett, Seton I. Miller, John Lee Mahin Story by: Ben Hecht, W. R. Burnett, Seton I. Miller, John Lee Mahin, Fred Pasley Initial release: March 31, 1932 (USA) Click Here To Download Link Size: 703.18 MB Key lieutenant of South Side Chicago crime boss Johnny Lovo
(Osgood Perkins), Tony Camonte (Paul Muni) is an ambitious and reckless
gangster who ignores warnings not to mess with Irish gangs on the North
Side. When the North Side retaliates, Tony essentially massacres them,
leaving him on top of the
world. Worried about Tony's overconfidence, however, Johnny orders him
killed, but this also backfires, and Tony finds himself even closer to
becoming king of the city.
Forbidden Games (1952) Director: René Clément Running time: 1h 42m Music director: Narciso Yepes Initial DVD release: July 8, 1999 (France) Initial release: May 9, 1952 (France) Click Here To Download Link Size: 703.9 MB Orphaned after a Nazi air raid, Paulette (Brigitte Fossey), a
young Parisian girl, runs into Michel (Georges Poujouly), an older
peasant boy, and the two quickly become close. Together, they try to
make sense of the chaotic and crumbling world around them, attempting to
cope with death as they create
a burial ground for Paulette's deceased pet dog. Eventually, however,
Paulette's stay with Michel's family is threatened by the harsh
realities of wartime.
The Holy Mountain (1973) Director: Alejandro Jodorowsky Running time: 1h 55m Budget: 750,000 USD Cast: Alejandro Jodorowsky, Valerie Jodorowsky, Juan Ferrara, Executive producers: Allen Klein, Robert Taicher Initial release: November 29, 1973 (New York City) Click Here To Download Link Few filmmakers have been as committed as Alejandro Jodorowsky in
supplying grotesque, surreal, symbolic, and hallucinatory images. But
even his most famous work, the 1970 acid Western El Topo, has nothing on The Holy Mountain,
which invests meaning in sequences that might otherwise be mere fodder
for midnight trippers. Granted, the trippers will be more than
satisfied: After introducing a thief (Horacio Salinas) who appears like a
modern-day incarnation of Christ, Jodorowsky uses the next few minutes
to show him nearly crucified by naked boys with green-painted genitalia,
getting rescued by a limbless dwarf, and chewing on a wax
representation of himself before sending it to the heavens on colorful
balloons. And then things get a little strange.
The story, such as it goes, introduces Salinas to an alchemist
(Jodorowsky) who proves his mystical powers by turning the thief’s
excrement into gold. From there, they embark on a spiritual journey,
accompanied by seven figures from different planets who represent
terrible aspects of life on this one, from a weapons manufacturer
(religious and cultural symbols, like a menorah, are turned into guns)
to a “cosmetics” person who specializes in prosthetic, age-masking
faces. There’s also a giant sex machine that gets prodded into orgasm,
an art museum with interactive living nude sculptures, and a general
mood of amorousness to go along with the political and religious
bomb-throwing. There are times when Jodorowsky’s surrealist impulse
leads to weird-for-its-own-sake cult-movie fodder, but The Holy Mountainmore
often has a satirical bite, with a sinner’s contempt for the church and
a rebel’s distrust of authority. Seen today, it functions as a wondrous
time machine, transporting viewers back to a day when movies (and
audiences) were up for anything
Flaming Creatures (1963) Director: Jack Smith Running time: 45 minutes Budget: 300 USD Producer: Jack Smith Initial release: April 29, 1963 Click Here To Download Link
Size: 885.24 Mb
One of the most celebrated of all underground films, Flaming Creatures
excited national censorship controversies in its day and was even
denounced (and screened!) in the halls of the U.S. Senate. Jack Smith
had hit a nerve with his delirious tribute to the 1940s screen star
Maria Montez. (The soundtrack even includes a chunk of her 1943 release
Ali Baba and the Forty Thieves.) A hilarious and startling version of
Arabian exotica, Flaming Creatures was shot on backdated black-and-white
film stock, creating an
overexposed and archaic quality to its images -- a world of
uncontrollable sexual energy where women and transvestites primp, pose,
dance, romance, and sometimes assault each other.a
Moonfleet (1955) Directors: Fritz Lang, Hans Peters Running time: 1h 27m Screenplay: Margaret Fitts, Jan Lustig Music director: Miklós Rózsa, Vincente Gomez Initial release: 1955 (United Kingdom)
In the 18th century British youngster John Mohune (Jon Whiteley)
is shipped off to live with the dashing Jeremy Fox (Stewart Granger)
after his mother's death. Fox pretends to be a respectable gentleman,
but actually makes his fortune by leading a gang of swashbuckling
bootleggers. The naive John has
no clue that his new caretaker is a notorious crook, and he immediately
takes to his new role model. Likewise, Jeremy grows fond of the child,
and the unlikely duo soon embark on a treasure hunt.
Le Jour se Leve (1939) Director: Marcel Carné Running time: 1h 33m Music director: Maurice Jaubert Screenplay: Jacques Prévert, Jacques Viot Initial release: July 29, 1940 (USA) Click Here To Download Link Size 691.96 MB
Taciturn laborer François (Jean Gabin) cherishes the ingenuous orphan Françoise (Jacqueline Laurent) but grows increasingly disturbed by her attraction to a seedy entertainer, Valentin (Jules Berry). When Clara (Arletty), Valentin's assistant and lover, leaves him, she takes up with the reluctant François, who still continues to pine for Françoise. Amused by François' frustrations over his increasing attentions to Françoise, Valentin taunts him, bringing about a shocking and tragic act.
The Sun Shines Bright (1953) Director: John Ford Running time: 1h 34m Screenplay: Laurence Stallings Music director: Victor Young Initial release: April 1953 Click Here To Download Link Size:1.90 GB
A straight-talking, sensible public servant, Judge William Pittman
Priest (Charles Winninger) is friendly with most of the townspeople in
his Kentucky hometown. The town's upper-class set feels differently,
however, and backs a presumptuous Yankee newcomer, Horace K. Maydew
(Milburn Stone), for the judge's
seat at election time. Judge Priest has to use all his wiles to hang on
to his office, while continuing to be a voice for the town's underclass
and for democratic values.
Die Hard (1988) Director: John McTiernan Film series: Die Hard film series Cinematography: Jan de Bont Featured songs: Let It Snow! Let It Snow! Let It Snow!, Singin' in the Rain, Skeletons, Christmas in Hollis Initial release: July 15, 1988 (USA) Click Here To Download Link Size: 701.5 Mb
New York City policeman John McClane (Bruce Willis) is visiting
his estranged wife (Bonnie Bedelia) and two daughters on Christmas Eve.
He joins her at a holiday party in the headquarters of the
Japanese-owned business she works for. But the festivities are
interrupted by a group of terrorists who take
over the exclusive high-rise, and everyone in it. Very soon McClane
realizes that there's no one to save the hostages -- but him.
The Man Who Would Be King (1975) Director: John Huston Adapted from: The Man Who Would Be King Story by: Rudyard Kipling Screenplay: John Huston, Gladys Hill Initial release: December 17, 1975 (USA) Click Here To Download Link Size:700.1 Mb
Based on a short story by Rudyard Kipling, this adventure film
follows the exploits of Peachy Carnehan (Michael Caine) and Danny Dravot
(Sean Connery), English military officers stationed in India. Tired of
life as soldiers, the two travel to the isolated land of Kafiristan,
where they are ultimately
embraced by the people and revered as rulers. After a series of
misunderstandings, the natives come to believe that Dravot is a god, but
he and Carnehan can't keep up their deception forever.
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The Producers (1967) Director: Mel Brooks Running time: 1h 30m Screenplay: Mel Brooks Initial release: November 10, 1968 (USA) Click Here To Download Link Size:649.9 Mb
Down and out producer Max Bialystock (Zero Mostel), who was once
the toast of Broadway, trades sexual favors with old ladies for cash
contributions. Max's new accountant Leo Bloom (Gene Wilder), offhandedly
muses that if Max found investors for a new production that turned into
a flop, he could legally
keep all the extra money. The duo begins to put together the worst play
possible, titled "Springtime for Hitler", with a terrible director and a
hippie-freak star.
She Wore a Yellow Ribbon (1949) Director: John Ford Film series: John Ford's Cavalry Trilogy Story by: James Warner Bellah Narrator: Irving Pichel Initial release: October 22, 1949 (USA) Click Here To Download Link Size: 927.0 Mb
The last job of Calvary Captain Nathan Brittles (John Wayne)
before retirement is to soothe relations with the Cheyenne and Arapaho
Indians after Custer's last stand. At the same time, he must transport
the wife (Mildred Natwick) and niece (Joanne Dru) of his commanding
officer to a safe destination.
After both his missions stall, Brittles attempts a face-to-face meeting
with an important Native American chief in order to stave off an
impending war.
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Monty Python and the Holy Grail (1975) Directors: Terry Gilliam, Terry Jones Running time: 1h 31m Budget: 229,575 GBP Cast: Terry Gilliam, John Cleese, Terry Jones, Eric Idle, Initial release: January 1, 1975 (USA) Click Here To Download Link Size: 799.2 Mb
A comedic send-up of the grim circumstances of the Middle Ages as
told through the story of King Arthur and framed by a modern-day murder
investigation. When the mythical king of the Britons leads his knights
on a quest for the Holy Grail, they face a wide array of horrors,
including a persistent Black
Knight, a three-headed giant, a cadre of shrubbery-challenged knights,
the perilous Castle Anthrax, a killer rabbit, a house of virgins, and a
handful of rude Frenchmen.
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Hatari! (1962) Director: Howard Hawks Running time: 2h 38m Music director: Henry Mancini Producer: Howard Hawks Initial release: June 19, 1962 (USA) Click Here To Download Link Size: 1,087.3 Mb
A Tanganyka-based group of hunters (Red Buttons, Hardy Kruger,
Gérard Blain) led by Sean Mercer (John Wayne) trap wild African animals
for zoos. A curvaceous reporter (Elsa Martinelli) documents their
exploits while having epic clashes with the gruff Irishman. She is
initially frozen out of the testosterone-filled group until her strong-willed personality endears her to the men.
